Afterimage - AKB
Akihabara has a way of staying with you. Even after you leave, the colors linger—neon reflections burned into your vision, fragments of movement replaying themselves. That feeling became the name of this shoot: Afterimage – AKB.
The day started pretty simple. I stopped by Bic Camera and picked up two lenses - a fisheye and a 35–170mm - wanting the freedom to bend space one moment and compress it the next. Akihabara felt like the right place for both extremes. Wide, warped perspectives for the chaos, and tighter frames for the details hiding between it all.
I met up with models I’d connected with through Circle, a creative collective I befriended in Tokyo last year. What started as a casual link turned into something much more meaningful. There was no rigid plan - just trusting the process, curiosity, and a shared excitement to make something together.
The shoot pulled from alternative and Harajuku-inspired fashion, but it wasn’t about recreating a look. It was about energy. Individuality. The way style becomes language in Tokyo, especially in spaces like Akihabara where technology, subculture, and self-expression collide.
We moved through the streets intuitively, letting the environment guide us. Neon signs, narrow alleys, crowds passing through frame after frame. The fisheye exaggerated the city’s intensity, while the longer lens isolated moments that felt almost quiet by comparison. Two perspectives, one pulse.
More than anything, this project was about connection. Strangers becoming friends with a shared vision. A group of creatives from all over the world, brought together by the same impulse: to create something honest in the middle of an electric city that never stops moving.
Afterimage – AKB isn’t just another creative project - it’s the echo the city left behind.
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| Sony A7SII | Fisheye, Tamron 35mm - 170mm |
Photoshop & Lightroom |
Akihabara |
